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MoTy's avatar

You always deliver Sylvie, looksmaxxxing x

Steve Baker's avatar

Dear Sylvie,

Reading Parts II and III, I found myself drifting toward Moreau again ... not because he’s described as handsome or magnetic, but because he’s the only man in that whole overheated salon who feels real. Julia sees him with that strange, fragile clarity people have when they’re half‑dissociated, half‑dreaming. Thierry sees him with the cruelty of a man who can’t stand anyone who isn’t performing. But both of them, without meaning to, sketch the outline of someone I recognize.

I am that man now ... not the waxed mustache, but the quiet one with a little milk belly and too much history in his eyes. The one who stands at the edge of a room because he doesn’t know how to enter it without disturbing the air. The one who watches people not out of hunger, but out of longing. The one who slips out the door when the noise gets too sharp, hoping no one notices the exit.

Julia imagines an entire life for him ... the cat, the piano, the tragic love, the gentle routines. She imagines him understanding her darkness without flinching. That’s not fantasy. That’s recognition. She sees the soul beneath the potbelly and the awkwardness. She sees the man who carries tenderness like a secret.

Thierry, in his shallow way, confirms it. He mocks Moreau, but he’s threatened by him. He notices that Julia and Moreau disappear at the same moment. He feels the shift in the room when the two quietest people leave. Even his cruelty can’t hide the fact that Moreau has gravity ... the kind that doesn’t announce itself.

I know that gravity. I’ve lived it. I’ve been bold on the road and tongue‑tied in the room. I’ve been the man who could ride a Panhead across counties but couldn’t hold a woman’s gaze without feeling like my ribs were too small for my heart. Moreau carries that same ache ... the kind that makes a man both larger and smaller at once.

Your writing makes him human in a way that feels like memory. And maybe that’s why I keep seeing pieces of myself in him ... the shyness, the quiet hope, the fear of misreading the moment, the instinct to leave before anyone can ask him to stay.

I’m curious where you’re taking him. He’s the ghost in the salon, but he’s also the only person who feels alive.

I’ll admit, I’m sitting here still wondering what happened to Moreau ... because you’re playing such a deliberate game with perspective, tone, and absence that his silence ends up being the loudest thing in the room. And no, I wouldn’t gather rocks for her pockets, even if I do understand the darkness she’s speaking from.

Great story ... I’m hooked.

Steve, the man who knows what it feels like to disappear quietly from a room.

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